Three Thirty am – the witching hour.

There is a little Golden Book story I would tell my kids when they were little. It was something about a mouse that decided to go sailing on his bed. He would get up, brush his teeth, and do a list of boring things before starting his day. I’m not sure why it was important to start with this particular image, but who am I to argue?

As I’m writing this — having got up, for no particular reason (aside from old habits) at three thirty am, the cat has decided to meow forlornly at glass doors because apparently, once again, he has forgotten where his cat flap is. A cat flap is a cat door. I needed to write that because “language barrier”. I don’t know either, I’m just repeating what the little voice beside me says.

So, the extremely contrived image sent to me during last night’s (it’s still last night, and one half hour past the witching hour when I woke up, ya bastards), was the picture of an old fashioned key sitting on the corner of a window sill. Now, when I looked at that particular key (god this cat is driving me insane), I said in my head, quite clearly, “Wardrobe key”, so if anyone reading this had a dream along these lines and wondered why “wardrobe key” came to mind, that was me. Sorry about that, but not really.

The funny thing about writing so early in the morning, before the sun has come up, and while everything is silent, is that something happens to the writing on the page. It does its own thing, and I am, well I’m not forced exactly, but I tend to think, ‘okay, I’ll go along with it,’ and whoever it is writing the other side of this says, very clearly, ‘Let’s see where it take us.’

This is not usually my form of transportation…

I do prefer to write with a slightly more professional flair, which is something that seems to have escaped me these last several months or so, and to be honest with you, I’m not particularly happy about it. So there.

Back to the topic at hand. ‘Wardrobe key.’ The lion, the witch (pauses) and the wardrobe. Not in this case though. In this case it’s because I happen to have an old fashioned wardrobe around here somewhere, so I kind of know what those keys look like.

Then of course, there is the other type of ‘old fashioned’ key. The one not sitting in the corner of a window sill that I’d be worried about being knocked off said window sill by a random elbow. The door key, which is apparently why I’m writing this for you.

The following is from a story I wrote.

Picture the scene:

He’s woken up to something and he doesn’t know quite where he is. This room has doors on both sides of the bed, an old fashioned lamp which he doesn’t remember having turned on, and the rain outside is falling. Through the window, and reflected in the lamp light, the raindrops look like a thousand meteorites. (I wrote that a lot better the first time around).

Click-click.

Someone is trying to open the door. This is what has woken him up. The door in question is on the right side of the wall where the head of the bed is. The other door leads outside.

When this happens, the guy we’re looking at not only is already naturally a little on edge, he’s very well trained, so there are a million thoughts running through his head. He’s unarmed, he was told he’s got all the keys (which he is now questioning as someone is definitely trying to unlock the door), and he is preventing himself from doing something stupid by trying to figure out all the scenarios of how to deal with an intruder without waking up the rest of the house.

As he is who he is, he decides, rather than flinging the door open and confronting someone, he is going to use the door that goes outside, go around the side of the house, and come back in behind whoever it is that is trying to unlock the door to the bedroom he was told was “completely safe”.

As he is also an ex carpenter by trade, he has all these random thoughts about the fact the door (that someone is currently attempting to unlock) is very sturdy and won’t be broken down in a hurry by “whoever it is”. All of his experiences, what makes him who he is in this moment, come together and form him into something honed to a fine point, a weapon in himself and he uses everything without thinking about it.

I’ll add here, the person on the other side of the door is still trying to unlock it, not break it down, nor does it seem to be at the point of them breaking it down. This is giving him a lot more time to not only wonder who it is (there are really only three choices: the first choice is someone who is not living/residing inside the house, the second choice is a teenage girl, something he’d not want happening either, and the third choice is an old lady, which just seems very odd as she is the one who gave him the keys) but to decide how he’s going to deal with them. If it is who he thinks it is (a very large man), then he’s going to need to be “on the ball” or seeking the advantage.

It does not exactly go his way. Most of it goes his way, but not the outcome of his snap decision of how to confront something. I suppose, by the end of this scene, or scenes, he gets lucky, but that doesn’t change the fact the first decision he makes is to attack, rather than defend. I would say any psychologist would tell you this guy, whoever he may be, could potentially be a problem. What I’ve given you here though, is an example of how someone specifically trained might deal with something.

It’s a shame that for this scene the guy was in a suburban house, with an elderly relation and her granddaughter. His first instinct (although it is to protect and defend later) is to be the one with the advantage. It’s fair to say he’d chosen to observe what he was dealing with first, and went about dealing with it far better than he might have under different circumstances. It is also fortunate the person he was dealing with (although he didn’t know it) knew him and what he would be thinking.

It must also be said, in this particular scene, the circumstances under which this guy is in at this point of time and leading up to it, the “context” if you will, gives him every right to behave exactly as he does (although, in the end, it’s not something he has been able to share with anyone).

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