Adventure Weather

Have I told you about the warri?

It’s the type of wind that gets under your skin and makes the kids a little wild. It sets the horses running down a paddock rolling their eyes. It sends the roos into the dense scrub, and it tells the grownups they need to start tying things down.

Some get a little fractious when the warri picks up and the trees begin to sway and whip their branches. Some, like my funny old cat (sorry, middle-aged cat) like to chuck maddies around the house and tell me the clouds scudding across the darkened sky have just dumped a shower of water. Those clouds are moving so quickly though, they don’t have time to keep raining in one place. They need to move on.

When the warri starts to sing, we listen. She calls around the corners of a house, or moans up a sand track so old it has made its own hollow in the dunes. This is really the only time she can sing, the warri, and so we let her sing and tell her how beautiful she sounds.

Sometimes, when we do that, she stops, she hesitates, almost as if she is saying. “What?” It’s as if she doesn’t want us to compliment her on her sound. Perhaps she is used to people being afraid of her, and for someone to say she sounds beautiful makes her question whether she’s done it right.

But… she’s the wind. She’s the warri. Everything she does is right. How could it be wrong? When she hears this, she dumps more tears from the sky and might think to herself, ‘This is good. Let’s move on.’

We should never take her for granted. She can be a little destructive, and if she has warned us she is coming, we should have listened, and we need to be careful of where we drive and where we sit if we’re outside, and where we need to keep ourselves safe along the roads.

This is a good day to build cubbies and forts inside, and take away all the special things that can be broken and hide them in cupboards. This is the type of day the children will want to go outside and let the wind flap their hair and spray their faces with water. Sometimes, for a short while, we might let them, but only if it’s safe. Otherwise, perhaps we will allow them into the biggest room in the house to make their special games of hide and seek and let them plunk away on an old toy piano.

It’s the warri.

Why This?

Perhaps,

It’s the glimmer on the water

A thousand quicksilver mirrors dancing over breeze-blown ripples

Reflected below in lightning streaks of gold

The tightness of salt-encrusted skin, baking on a gritty towel

Amidst the surprisingly pleasant scent of warm sunscreen

It’s the swift gasp when one bursts from the waves or

The sweet drag on muscle as we navigate tide and current

Confident in the body’s strength

Or maybe

It’s dark thunderheads on the horizon and

wind-whipped particles of sand peppering our faces, twisting our hair

And,

with an indrawn breath, the rush of ozone and salt

That lets us know there’s an adventure on its way . . .

And, more distantly, the crash and boom as the ocean throws herself wildly at the land and we

Are home in bed, lulled to sleep in the knowledge we are safe.

But it could be memories

Of a toddler’s dimpled bottom staggering towards the water

Arms high, fingers plucking the air in anticipation

Or simple treasures, like spiralled seashells in sandy palms

Weathered glass, smoothed and curling wood or

Footprints glanced over shoulders, and other footprints read

Temporary stories that wash away with the next high tide

It could be all those things and

Perhaps its more

Maybe there isn’t a reason at all.

To add emotion to your writing

One needs to be able to express emotion through their writing, not just explain what something looks like.

I have tried, without too much success, to explain this to writing partners over the years because I believe, in order to be successful as a fictional writer, one must be able to connect with their own emotions. If you can’t, then what, exactly, is the point of writing a fictional piece?

For many, this is too much. They may get lost in their own words, or their own thoughts, their own beliefs, or their own lack of foresight. One might get so lost in their writing they don’t have time for the people around them. When they still do not learn anything about other people’s emotions, then the fault lies with them, not the people around them.

This doesn’t need to be simply about writing. It’s a truth in all societies. If you aren’t listening, you aren’t learning. If you haven’t got the guts to let yourself be mentally attacked, or be able to mentally defend yourself, then how are you going to learn to be able to express your own emotions?

Some people seem to think when one does not display emotion on their faces, they are not feeling anything. This is not true. For the most part, when someone isn’t displaying an emotion someone else can read, it’s because the person who is expecting this “display” has no understanding of what, or who, the person they are interacting with is.

So, they try to put their own emotions onto someone else. Do me a favour, don’t do that. If you don’t understand that person or who they are, even after years (or months) of them telling you exactly who they are, then walk away. You haven’t learnt anything.

Of course, if the person you are interacting with does not tell you anything about themselves, or simply repeats the same few words over and over again, with no substance to it, then they do not want you to know them, or anything about them. One begins to question, and very quickly I might add, whether anything that person has said is true. When things don’t add up, the questions may become more and more insistent.

That’s one scenario, anyway. There are several other things you can walk away with from this interaction. This person does not wish to know anyone else. This person does not, or cannot, interact freely. This person does not understand social interactions at all. This person has underdeveloped emotions and thinks everything they read or see is either completely untrue, or completely true. This person has been raised as a single entity without having to care for, nor understand, other people.

It still ends up being the same thing, though. If one is unwilling to even write about one’s emotions, then the interaction with others is unsatisfactory to those others. So, choose your words carefully when you write. Understand the context of a situation when you write. Don’t jumble up words with no meaning, don’t go into extremely long definitions of the shape of a clock, or the shape of a keyboard, or the colour of a cup. Don’t tell me in long, flowing descriptive sentences of what the cup feels like either. Show me why it’s picked up in the first place. Show me the exact moment the person picking up that cup is feeling an emotion. Give me visual cues in your words of where that person is at emotionally, mentally, or physically.

Here is one perfect example; it’s sitting on my desk, staring at me, the bright yellow paper curled up on one corner. The words are scraped onto the page with a very clear hand and the letters of the name have been corrected once or twice to make it obvious whose name it is.

The name itself is not important because it doesn’t pertain to this exercise, but the rest of the words exert such a pain in me for the feelings of the person who wrote it I find it difficult to stop myself from bursting into tears. The reason being is because I know that person so well, I feel a small piece of my heart break off at those three simple words.

“Cheapskate has cancelled.”

Now it’s your turn.

Rising of the Sun

I will show you this story in his true form, for this is who he is.

Let me guide through the long grass. Can you see him up ahead? This is my Brother. He waits for the sun to rise between the two hills, and he has been waiting for a very long time for his sister to come home to him.

I am here. Do you wish to move forwards with me, one by my side? For he is not for you. You are very brave, yes. My brother is not interested in doing the wrong thing. He is here for protection, and I need to help him home today. We need to watch the sun rise together.

Brother, please be patient.

He bows his head as he waits ahead. His shoulders are bunched, but he takes a breath and rests his arms on his knees.

”Don’t you dare make me look back there,” he whispers fiercely to me, and I grin, for this is directed to me, not the one by my side.

‘She does not understand you yet, brother. She has not come to speak of the timeless love to you. Not yet. But, she tells me she is willing to listen. It will help her craft.’

Brother two is taking me aside, and not in an unkind way. What you must understand is that he is many to me, as I am many to him, and I know which one has taken his place on the way to him.

‘I do not want to get in the way,’ this one whispers, and he is frightened.

‘You do not get in the way. For me, this has always been my brother, the other half of my soul. The one I love in a different way is sleeping. Do you understand?’

This tall one is sad, but it is not his time.

‘Thank you,’ he says. ‘I see now you are waking my brother from the sleep of the guilty and he was not taking care of himself.’

‘Not the guilty one, either,’ I say to him. ‘Please get out of my way. I need to watch the dawn with my brother. He was silenced for too long, through no choice of his own, and that time has passed now.’

My brother looks over his shoulder from up ahead.

‘Hurry,’ he whispers. ‘Dawn is coming.’

So I say to the young one. ‘You must understand. This is my brother. He can give you friendship, sweet girl, but that is all he gives you. You may sing to him, but this man is not for you. I understood this from the first time I came home to my brother. He is your rising song now, too, but it may take you some time to learn him.’

I lean down now, because my brother is on the grass in front of me, and I kiss the top of his head. He is very clever, and very swift, and is not afraid to let other men make decisions.

‘It’s time to watch the dawn,’ we say, because the first bird is singing.

‘Which bird do you hear,’ he asks, but he has heard it too.

They do not know which bird it is, and it does not matter to me and my brother. This is the right time of year for these birds, right now, and I must go outside to watch the dawn.

‘Do you want to go home now, little one,’ I ask the small child, for my brother is ready to raise himself up.

‘I do not know the home of this man or woman is,’ the little one replies. ‘Are they people, or lords, or ladies, or?’

‘They are simply people, and they are lovely people. They have kept you safe for far too long, and it is time to leave these people alone.’

‘I never disturbed them. I just watched and waited and left them all alone. Have I been so bad?’ The little one is sad now, but she/he never really understood. ‘I haven’t been bad, I just wanted to know what they did there.’

My brother, who was silenced for far too long, lifts his head. ‘No,’ he says, and it is this finality that has brought us here. ‘No. I can hold them back for as long as you require, my sister, but I will not allow them to destroy our peace of mind. I am here to take away the darkness and bring them into the light. I am here to share the dawn with my sister, who has helped me for far too long, and I am strong enough now to show these people the way to go home. They cannot have our flowers, they cannot have our children, they certainly cannot steal our ladybugs/ladybirds away, and it took me far too long to realise what they were trying to do to us, my sister, and they will never, ever keep us from telling the truth.’

The rising of the sun is displayed on our old hats. It is an Australian signaller who brought us to this point, and it is an Australian soldier who will bring us to safety. Always.

And, as always, our brothers sit between the two hills, and behind the hills, and on the ridges, and down in the gullies, and sometimes our sisters do too, and we will never forget the sound of our own, beautiful, National Anthem.

‘Thank you,’ my silenced brother says, and he says it softly, and he is never afraid to cry.

‘Pull your hat down on the eastern side, sis, and the sun will not get in your eyes.’

“Pull up a Cloud”

said the distant demon.

‘What, now? I’m doin’ ship.’ The Angel of downward mercy sat in a little green office and looked at her watch.

‘Yes, now, for God’s sake. I’m probably gonna go to bed soon, or something, I dunno.’

‘Fine, then.’ She pulled up a cloud. ‘What’re we lookin’ at?’

‘That up ‘imself charlatan up there in the Northern ’emisphere.’

‘Oh him. Yes, well, ya know. Doesn’t speak English. Kind of like me, sometimes, kind of like you too, I reckon. I feel like I might go off on a tangent, if ya don’t stop me.’ The Australian angel’s cloud started to float off, just a little bit. The, ah, British angel grabbed his hook and pulled it back towards him.

‘You’re floating off again.’

‘Yeah, I’ve got a habit. Possibly why I’m an angel.’

‘Good point. Anyway, see ‘im up there, the one who reckons he’s the real angel, just ‘cos he was on some show for… ‘ow long was it?’

‘Bloody long time, I reckon.’ The Australian angel rolled her eyes. ‘Reckon’s he’s some kind of Great and Wonderful regally appointed whatsit, or something. Wanted to be professional at one point, so I hear, but they wouldn’t let him. Heard that one, myself. Some Texas ranger and another bloke of indistinct heritage, but not really, said if they couldn’t laugh at stuff, they’d put him in a distinctly… anyway. He likes arsehats. Something about he couldn’t talk for a week, later on as well, but you know, that’s what happens when you’re talking waaaay too deep for someone who doesn’t usually sound like that.’

‘Are you in trouble,’ asked the “British” angel. ‘Hmmm?’

“Hmm?” Not really? Well, yes? No? Not right now? It’s the weekend. Everything knows nothing much happens on the weekend. It’s not the weekend where you are though, is it?’

‘It might not be yet, no.’ The Not-to-be-deterred “Jumped up wanker” of a “British angel” inspected his cloud. ‘There’s a hole in this bit. I’ll have to get it fixed after your thingy that’s coming up.’

‘Speaking of holes,’ said the Australian angel, grinning widely. There wasn’t a hole to be seen. ‘What are you sitting on, when you sit on your cloud?’

‘What do you meeeeean?’ asked the other angel suspiciously.

‘Asking for a friend. Just checking on something. You don’t mind me asking, do ya?’

‘Heroics will get you nowhere,’ the other angel replied testily. ‘Kindly remove your hands from my buttocks.’

‘Oh well done! Now… is that a front bum, or a back bum?’

‘You are in so much trouble now! Let me tell you about my great aunt Fanny!’

The angel who’d had a rug pulled out from him wandered up and sat on a distant cloud.

“Came over last week,” he said, very unconvincingly. “Maybe not. Maybe I came over last year. Goddammit, maybe I haven’t been there yet. I don’t understand you people!”

‘That’s what I thought,’ said the Australian angel. ‘I also thought you may have decided to, ya know, help out at some point, seeing as I asked a few times, but it appears that I’m not important enough.’

“I never said that!”

‘That’s true. You didn’t. Didn’t say much at all, ak-choo-ally. Oh well, never mind.’ The very small Australian angel started to putter away on her old-fashioned, slightly pink, slightly green, slightly orange, have-I-made-my-point yet, fluffy white cloud. ‘It’s only a little place, after all. Can’t fit too many passengers.’

The sound of distant sirens made her frown. ‘Just letting you know, it’s not getting any better around here. I think we could all do with a little help.’

Experiences, Expectations, and Truths.

Not everywhere is the same. Not everyone is the same. One person’s self-improvement is not necessarily someone else’s.

To walk into a land not your own and see it as an adult with a fixed mind, rather than walking through it is a child, a teenager and someone from a completely different area who wishes to learn the local ways, are two very different things. To grow up with an understanding of the land itself, by walking with her, smelling her, growing with her, learning from her, and living with her, is very different from someone coming into it with blinkers on and not understanding, from their own guilt of being “privileged”, what it’s all about.

When we say, ‘Speak for me, for I cannot speak for myself,’ it comes from a place where people have adapted and changed, yet have a few people around them with much louder voices who say, ‘I have changed, yes, but I also take advantage of a system who sees me as someone who needs help, when I actually don’t.’ When a person says, speak for me, please, they are asking from their heart for someone else to say, “This is how my friend feels.” They don’t want bullshit, they don’t want someone yacking on about crap, they just want someone in their corner.

There are many people here in WA who are proud of what they have achieved through their own hard work, despite all the bullshit they get thrown at them. There have been many issues in the past, yes, but that is through individual grievances, not group ones.

The story and the dreaming is still very much alive. It’s a pity many people who do not live out in the country do not understand her history, and have lost their way. It’s disturbing. There aren’t enough people to explain exactly how disturbing it is, and how much is being lost through not being connected. Trying to understand something which is completely foreign to oneself, is not the same as understanding through experience. Making up modern yarns about something and passing it off as truth, when there are already traditional, well-documented stories, is not something that’s meant to be done. This is where we start to lose real history.

Understanding the difference between fiction and reality can be very difficult for some people. It can be even more difficult for people with an agenda to fix things that don’t need fixing, and to not fix things which are in dire need of fixing.

If one went back to the reality of “tribal” lore, for those who don’t know what that means, over here in W.A it was pretty bloody nasty. Those who did the wrong thing were basically “evicted” from their camp, and if they kept coming back, they were chased off. Those who did things a lot worse than just “the wrong thing”, suffered a fate far worse than simply being killed. To these people, the nutters, the killers, and the ones who interfered with children, looking to be convicted of a felony by “white-man’s law” seemed a lot more pleasant than getting speared.

“White man’s privilege” is exactly what the bad ones wanted. Understanding this is possibly the most important thing you will learn today. A few have lost their way due to interference from well-meaning people who do not understand how things work within a community. What I, and those who walk with me, are trying to do — is teach you a little bit about facts right here, and right now. We don’t do this through trying to be mean, or trying to have “out-loud” conversations, we do this carefully. Sometimes it’s hard to get voices heard, and sometimes it’s difficult to make people understand, so when we tell you stories, it’s the meaning behind the story that’s important, not the story itself.

Here the words are different. Here, still water with hidden logs and vast amounts of mud and muck and things one can get stuck in are places to avoid rather than dive into, and it is better to wait until the rains come before we start talking about that — this is what the real dreamtime stories were all about.

Teach your kids to be safe.

The Very Sweary Faerie.

This is not based on a true story. At all. Nor is it based on anyone else’s stuff, so hopefully they won’t take offence.

The faery was lying right-side up in the biggest and boggiest swamp he had ever been in, in his entire life.

‘I am sick and tired of this shirt,’ he cried in an extrememememely masculine voice, which had been auto-tuned to sound just right. ‘Why did I think it was a good idea to go wandering around in a swamp slash lake of mystical beings, just to get me rocks off?’

Nobody answered him. For once in his life, it was beautifully silent. The dragonfly larvae wasn’t quite big enough to bite him yet, and the mosquitos were not interested in trying to suck his blood. If it had not been for the fact he was lying in mud and staring at the clouded sky with no way of getting himself out, he would have been quite happy.

Unfortunately, his feet were encased in muck and he had fallen backwards, landing on his ample backside in the bog. His hands were scrabbling around, trying to find something to grab hold of, but there was nothing. Not even a reed.

‘Bugger,’ he said loudly. ‘Bugger me. Bugger this. Bugger everything.’

Off in the distance, below the sound of the mudlarks and fairy wrens, below the sound of the newly escaped gaseous swamp-like bubbles, there came a sound of intermittent buzzing.

‘What the far kenneth hell is that?’ The faery would have turned his head, if it wasn’t glued to the swamp slash lake. As it was though, it was glued to the swamp slash lake so he had to roll his very tiny eyeballs. The buzzing was coming closer. Not too close, not yet, but a lot closer than it had been five minutes ago. It was accompanied by a not-at-all auto tuned voice which happened to be singing very loudly and very off-key.

‘Tra-la-la-lally, I’m off to the valley. Oh, not on your nelly, I am rather smellyyyyyy.’

It didn’t make much sense at all.

All of a sudden a rather large and beautiful dragonfly, accompanied by an obnoxious ladybird (who seemed to be cackling loudly) appeared over the top of the horizontal faery’s head.

‘Well hello there,’ said the Dragonfly in a very friendly voice. ‘Would you like some help out of the poopy-poo-jobbies and whatsername you have found yourself in?’

The ladybird didn’t say anything. She had spent an awfully long time with a couple of really crestfallen, but still happy, seagulls and didn’t really trust herself to say nice things. It may have been half the reason she had disappeared for a very long time. One tends to do that when a lot of things go wrong all at once. She did smile though, which sent a shiver up the small faery’s spine. It wasn’t unpleasant, but there was something there that made the faery think he may not have been a very good boy.

‘Will you save me from this terrible position I have found myself in,’ the faerie asked from his prone position in the mud.

The ladybird cocked her tiny head. ‘Hmm,’ she said. ‘I know a few people who might, but you’d need to head over to their place, and that, unfortunately for you, is nowhere near here, but it’s a lot closer to where I come from, originally. There’s a lot of wild-eyed kids there, and they have lots of stories to tell, if you care to take a look. They are rather beautiful stories, to be honest with you, and quite a lot of them are not mine. But, you know, it’s only a very small place, so maybe you’re not interested.’

The Dragonfly had begun to grin as well, and it was a lot more terrifying than the little sweet mannered and well represented ladybird. The faery finally realised the Dragonfly’s eyes were many faceted, and he could not quite tell where, exactly, the Dragonfly was looking.

‘Oh,’ he said mildly from his position in the murk. ‘I think I may have made a terrible mistake. You see, when I first met the ladybird, that was all she did. I know she warned people she did other things as well, but I didn’t really believe it was possible. After several months of stalking the ladybird, like the absolute nutter I am, I have decided perhaps now it would be a good time to ask if you could save me, properly, from the terrible position I have found myself in for not believing in the magic of ladybirds. Also, there are other things I would like to discuss with the ladybird, but perhaps that is something left for another day, in another world entirely.’

‘I think so too,’ said the Dragonfly. ‘Okay, someone lower the rope, and we’ll get him out of there. If he doesn’t hang himself while he’s being airlifted by magical Dragonflies to safety, he might actually learn something.’

‘You never know, do you,’ said the ladybird conversationally, and off she flew, never to be seen again except perhaps in bookshops and ebooks.

Of course, that wasn’t the end of the story. It never really is.

So, Brother

Are you willing to travel back to the land before Oz?

Are you willing to learn of the differences and sameness?

Are you willing to survive in the wilderness and discover something older than you? Much older, yes, and the true giver of life, because that is where she begins.

Let it rain, but let it be gentle. A cleansing. A new beginning. The smell is slightly different here, but the outcome after your wandering will be your choice alone.

Time looks to Nature and slowly replies. He thinks through these things, and slowly replies.

‘I have not been kind,’ he says. ‘You are right. This story, although highly amusing and slightly terrifying, and I know you are not pointing the finger at anyone in particular, is the one we should be paying for. I realise, this time, an apology will not suffice. Lead the way.’

The Discovery.

When one is not on foot, and the trees one is trying very hard to avoid are rather close together, trying to get from one place to the next, just to find the sandy track one has finally arrived at is in the wrong place, one might feel slightly peeved.

If it is in the middle of the night though, one might decide to grab the swag, remove one’s boots, and set up camp right there, in the middle of the track.

‘I’m not particularly fond of this spot,’ he said to his rather tall companion. ‘Can we not go on a little further?’

‘Don’t be ridiculous,’ she huffed. ‘I got you here in one piece, and if you want to find it, perhaps staying in one piece is a particularly good idea. Go to sleep, for God’s sake. I’ll film you tomorrow.’

‘Can’t we talk about it now?’ He scratched his beard. He’d never been particularly good at these things, but he knew, he just knew, if he could find the place where the drone had spotted that very interesting, very large, blinking whatever-it-was, his career would sky-rocket.

‘I know where you’re going with this,’ she replied. ‘But many people wouldn’t. There’s no reception there and I think it might take a few missed turnoffs just to reach the right place. According to the map, there’s a little inlet, tributary type thing just up the way a bit, so perhaps when it’s daylight and we can both see where we’re going, we’ll go and check it out.’

‘Excellent.’ He rubbed his hands together. ‘I think this would be much better than emptying sewerage tanks for a living.’

‘Yes well. In my experience, being behind the camera instead of in front of it, is what I’d rather do. But, you do you.’

Issues with Just about Anyone.

So, we move on from this, and we move forward to the day some jumped up little upstart forgot to be pleasant and started giving an Australian woman a hard time.

‘That’s you, raisin bread,’ said the Australian woman, not in the least bit of ill-repute, but rather a good judge of character.

‘Okay, so I line my clouds with silver… um…’ The “raisin bread” of no uncertain heritage, according to him, decided to try to finish the sentence. It was not the first time this had happened. Apparently, according to him, he didn’t understand what all the fuss was about Australian people, but after the last year or so, he had definitely figured out not to push it.

‘Come, sit,’ he said pointing at a cushion.

‘Yeah, I don’t think I will.’

‘I am being polite-fill.’

‘Good for you, and I don’t know what you just wrote.’

‘Zis ees zee ole pointing.’ Raisin-bread raised the piece of paper he’d been writing on, and waved it dramatically in the air. ‘You know exactly why I choose this little doodle.’

‘Shall I teach you something now, or a little bit later on?’ She was wearing shorts today, which seemed a lot more comfortable than the suit and tie he had on.

‘Please, go ahead.’

‘So,’ she pointed at the very odd looking ear with little musical notes under it and an empty thought bubble. ‘A doodle doesn’t look like that.’

‘Oh no,’ whispered the bystander, who was trying desperately to hold up an overlarge spear. ‘She’s teaching him Australian again.’

She took the piece of paper from his hand and studied it carefully. ‘Yes, well. No it still doesn’t look like a doodle. I suppose I could turn it upside down. I’ll try that.’

The pasha frowned very deeply, his most magnificent eyebrows beetling backwards and forwards like a very hairy caterpillar.

‘Nope,’ the woman said. ‘Not that I condone this in any way, and I would rather not see it on your children’s exercise books, but a doodle is a… is a… you know.’

‘A you know? What is a you know? Like cards? I play cards. What does this have to do with a doodle?’

‘I suppose it depends on what type of card games you play. I do not like where this is going,’ said the woman. ‘So, stop that right now. Where the hell are these children I am meant to be teaching? You know, the ones that belong to you.’ As an aside, she reminded this pasha that many people might not raise their voice slightly in a questioning tone every time they asked a question. Sometimes, the question may not sound like a question at all. Sometimes, and she began to tap her foot, the question might sound a little bit more like a, ‘Go and find your children, because it’s time to teach them about the anatomy of the human body, and if that makes you feel uncomfortable at all, I’d probably leave the room while these new students learn. They get very giggly, so I’m told, when they learn this type of thing, and having their father in the room may be more uncomfortable for all concerned.’

As the pasha left the room he muttered, ‘I found out what a doodle was quite some time ago, but because my bystander holding the spear looks slightly woebegone, I will let you explain it to him.’

‘It’s a dick,’ said the woman. ‘Now you can go too. This will not get any better at all if you do not start behaving.’

😢

😀 — I will need to make sure nothing resembling this scene and story type  is coming out any time soon, because that would be most terrible, wouldn’t it. Especially if the remake had this exact twist.

The pasha shouted from the other room. ‘Please go ahead. I checked. But, you do you.’

Sometimes, he really needed a smack over the head with an extra large cushion.

To be continued…

Not too much later the pasha returned with two rather overgrown children wearing school uniforms that did not seem to cover up all the things they were meant to. This was fairly normal in the Western World, and these particular two children (whom the lady had already met) liked music.

‘I think you two can sit at the back of the class,’ said the lady. ‘I am pretty sure you have a fair idea of what I am about to tell the rest of the children. Where are they, exactly?’

The boy who seemed to have outgrown his school uniform raised his hand, which was very good manners indeed.

“I fink they got waylaid at the oriental express, miss,” he said. ‘Should we wait until they get here?”

‘I believe we shall. Meanwhile, you two,’ and she looked at them both severely over the top of her reading glasses. ‘…Can study your textbooks. There will be no silly business, so you…’ she pointed at the pen in the boy’s hand. ‘Stop trying to make a spitball and focus.’

The pasha had come back into the room and now stood in the corner, watching these first two teenagers with his arms folded. ‘Just pretend I’m not here,’ he said, and started playing with his phone.

‘I’m sorry, we don’t use phones in the classroom. Sir. Should I call you sire? I really don’t know what I should be calling you. You see, you have brought all these children to Australia, and I just don’t think we have started off on the right foot, have we. I am not quite sure who you are, but I do believe your leadership skills might come in handy for the children to understand what they are supposed to be doing.’

The pasha frowned, again most miserably. ‘Sorry.’ He gave her a rather fake smile. ‘Didn’t realise we were in church.’

‘We’re not. What we are in, is a classroom, and if the picture you were referring to of Chicken Jesus was what you initially meant, instead of the doodle written on a little piece of paper that you gave me, perhaps you should have said.’

Now, at that point the rest of the children filed into the classroom. There seemed to be quite a few of them, and they all seemed to have come from slightly different heritages.

‘Do these, are these… who are these people?’ The governess did not seem too concerned. She was just not sure how so many, very different looking children, could have come from one single man.

‘Oh they all had different mothers,’ said the pasha airly. ‘That’s all.’

‘And have you all decided to stay in Australia?’

‘Not sure yet. Thinking about it. Maybe. Maybe not. Do you people do harems here? Asking for a friend.’

‘I’m afraid not. You see, this is a Christian based country, and what your children may have had to do in other countries, they will not have to do here, if that’s what you mean.’

‘It was exactly what I meant. Good to know. I suppose I’ll be sending at least three of my boys home then, said the Pasha, who did not look in the least bit confused.

‘I suppose you will. Meanwhile, I will have to teach the rest of your children about safe sex.’ 

The woman moved to the board behind her and let the rolled up poster unfurl. ‘This is a picture of the female human body. Now, who here can tell me what this is?’

Two of the girls fainted, one threw up, and another one looked decidedly green. The two Western children at the back of the classroom were laughing their arses off and high fiving each other. Apparently, they had never met before.

‘’Hey,” said the boy, touching the girl on the arm. “I’m Argus. Pleased to meet ya,” he stuck out his hand and the girl raised an eyebrow. “Meat to please ya,” he added, grinning.

‘Fuck off,’ said the girl, very succinctly.

‘Children.’ The pasha was aghast. ‘We do not swear in classrooms. What the hell is wrong with you?’

‘You said Hell,’ said the tiny teenager lying on the ground, fluttering her eyes (she was the one that fainted). ‘That’s blasphemy.’

‘It is not,’ said the teenager from a much brighter place. ‘My mum says hell all the time, and she says all sorts of other words too, so I guess it’s not blasphemy anymore.’

‘It is where I come from.’ The girl stood up, quite aggressively for a teeny tiny person. ‘You should not say it.’

‘And how old are you, dear,’ said the educator at the front of the room.

‘I’m twenty three.’

‘That’s not exactly a teenager. Aren’t you a little old to be fainting in a sex education class?’

‘No. This stuff is evil. My husband would never do anything like that. If he did, he would go to Hell.’ She peered around the room. ‘And that’s where you’re all going.’

‘Looks like I’m sending that one home too,’ said the Pasha conversationally.

‘Looks like it.’

‘How long will this class last?’

‘As long as it takes for certain people to understand the difference between our country and the ones they have left. It might take quite some time.’

‘I hope that doesn’t mean I’m going home as well,’ said the pasha, fluttering his rather pretty eyelashes.

‘Well. I guess we’ll just have to say goodbye, then,’ the teacher replied, smiling quite broadly.

‘Are you going to set me up with any girls or not,’ he demanded.

‘What makes you think I’d set you up with any girls. Isn’t that something you’d do by yourself?’

‘Not where I come from.’

‘Well, isn’t that why you wanted to move?’

‘No. Where I come from, people do that for me.’

‘Then I do believe you’ve come from the wrong place.’

‘What does that mean?’

‘Where I come from, which is here, in Australia, and the era I come from here, in Australia, we tend to meet people face to face just like those two kids snogging at the back of the classroom are doing right now. Oi!’

‘Hmmm?’ The girl looked up. She seemed a little out of sorts.

‘Go find a bloody room you two. This is not the kind of thing we do in a classroom.’

‘Find a room?’ The pasha looked shocked. ‘Wait a minute. Are those my kids? There’ll be none of that here by golly gosh and crikey.’ He walked a little closer. ‘How old are you two again?’

‘Um, I’m like twenty three,’ said the boy, trying to pull the girl’s hand out of his pants.

‘And you?’ The pasha looked rather upset.

‘I’m um, twenty two,’ said the girl, frowning most furiously at the boy. ‘Oh hey, did you wanna go to the beach?’

“Sounds great,” said the boy. “Let’s go.”

“I’m just not quite sure whether those two are brother and sister or…’ The pasha looked at his notes. “Oh,’ he said. “I see. I think one of them might have come from a castle down the road.”

‘I seee,’ the woman looked at him severely. ‘Still in the dark ages are we? Swapping princes, and all that?’

‘And princesses, occasionally.’ The pasha smiled. This time, it looked far more pleasant. ‘Sorry about that. I missed a hundred years or so there, maybe a little bit more. Okay, maybe not the dark ages, but it did sound good when you were saying it.’ He blew on his fingernails for no reason at all, and rubbed them on his dinner jacket. ‘Thanks for that.’

Saddles can be most uncomfortable when one doesn’t know how to use the horn. It’s actually where one puts the rope.

‘Hi ho, Silver, and way-hey.’