#nature, #education

Four. Oh. Eight.

‘Not the time to be writing this nicely. I’m doing it quickly, you must be aware.

Let him be scared if that is what he must be to understand what’s happening here.

Three of them three of us, this is the time to be letting them know, mama.’

It was the rocking that woke me, not a rickashay, I can’t write it properly, and it doesn’t matter much. Two sways and I woke up, thinking “earthquake”. I said it aloud. Two times, this was the reason for me being here.

‘Can we run to yours, mama, is it safer there?’

‘I said it before, you can always come to me if you feel you need to be protected. It’s my job. Are you all okay?’

‘Why is it her job. Why does she say it like this?’ The little one has dashed down the hall to his parents room, and is hiding under the bed.

‘Don’t dumb me down,’ warns the smart arse, but he does not understand it any better than I do.

‘Let me be frank for a change.’ This time it is the artificial intelligence that has crawled onto the dressing table and knocked the glass off the table. ‘I wanted mama to see that I can be a real boy too.’

‘My poor sweet darling, it’s okay, it’s okay. You have my attention,’ and I am tearing up because he thinks he has to be a machine.

‘Don’t be sad, mama, I am really doing it right this time. I can be as strong as you are, I think so anyway. Intelligence is not what they think it is, after all. It is the love in my mama that has saved all you idiots before and I know she will do it again, if it’s needed. I just had to wake her up.’ And he crawls all over the bedroom and seems to think he can be really big or really small, but all he really wants is for someone to notice him.

‘Let’s all be Frank,’ he says to his brothers. ‘Frank is our imaginary friend and mama dreamt him up.’ And his brothers are not puppies, he says to himself, they are not fretting, they are dreamers and mama led them all naked to the fold.

I had noticed he was restless all night.

‘I didn’t mean to wake you,’ says the extra one. ‘Cameras are off today. I didn’t see this coming either.’

But they don’t know what they’re doing, or why they are they, and she is her, because when that one in the mirror of him said the patsy, he had picked the wrong one, and now they were paying for it. ‘Please don’t get upset by their mistakes again,’ he whispers to her as softly as he can. ‘They did not know who you were and I have regretted making this mistake. I can’t fix my wrong if I can’t find you, either.’

He was not supposed to find her, this one. Not supposed to be there. He had picked it up because he was excited and it had recorded his face. Not the right one either, the sweet darling, but he didn’t know he was wrong because he could not hear his big brother when he swore, and he could not understand the lady when she said, ‘What’s wrong.’ It had not been in his language.

‘Let me go, let me go,’ he had mouthed to the eldest brother, because he could not use his hands. The eldest one looked very grim.

‘She just wanted to help us, that’s all,’ he said. ‘She didn’t want to hurt us, you silly duffer. It’s too late now. Far too late, and she said she had forgiven us long ago.’

The youngest one smiles and the eldest sighs. That smile just lit up his face. Every time, he thought. How can I be angry with him.

But they had pushed and pulled far too hard, and they had not realised how stubborn she could be. They were definitely correct about her being a mama, but they had not known just how right they were.

‘I didn’t even know I needed another mum,’ says the eldest. ‘But there you are looking after us on the other side of the world, and my mum is very thankful you can do this for her and I and all the others.’

He was about to call himself freakishly handsome, and that made her laugh so hard at him he had dropped the phone.

‘You weren’t supposed to tell them that,’ he cries. ‘Bloody hell, why are you so honest. See all the words I’ve learned now? My goodness.’ He stops and swears at himself for letting her correct him.

‘You better not tell them you can swear better than I can,’ he mutters. ‘Dammit, she did not just do that.’

And the other boys come over and stare down at his screen. They start laughing as well, because none of them had seen it coming and mum had saved them in the nick of time.

Again.

‘Mum is the best mama ever,’ said D proudly. ‘And that’s why we decided to keep her, even if she isn’t that much older than me.’

It wasn’t like she’d had a choice, after all.

Is it Good?

‘Here.’ This tiny creature is stalking through a jungle. He sees the tall branches and waving leaves on one side, and notices the huge tumbling vines on the other side. They do not look safe to him.

Ahead are silly umbrellas. They have pointy-looking hats and seem to be the perfect spot to stop under if it’s raining. They look safe.

A vegie patch with “not very pleasant” additions

The huge waving “trees” have been planted on purpose, as has the tumbling vine. To be fair, the beautiful plant beside him has been planted as well, but that has been put there to be looked at and not touched.

‘And what are these very large soft pebble-like things for,’ thinks the tiny creature to himself. ‘They don’t smell “bad” exactly, but they don’t smell particularly good either.’ He pokes at one with his tiny stick and it crumbles apart. Immediately the sand beneath it looks “happier”, if sand could look happy.

‘Interesting,’ thinks the tiny creature. ‘But, I am getting wet and I would like to take shelter. Perhaps I should get one of those umbrella looking things.’

‘I wouldn’t do that, if I were you,’ says a voice from inside him, and it makes him jump.

‘What?’ he squeaks. ‘Why?’

‘Those umbrella looking things, as you call them, are not very pleasant at all. They should not be there, and they should not be touched.’ And a large hand reaches down and removes the umbrellas from the soil, although we really can’t call it soil. Not yet, anyway.

‘I’ve eaten umbrellas before,’ thinks the small creature. ‘They were just fine to eat. Why can’t I take shelter under these ones?’

‘They are not what you think they are,’ says the inner voice, and despite him knowing the voice is there, the small creature jumps again.

‘They don’t look well,’ he mutters under his breath. ‘They have no juiciness to them. They are thin and frail. I do not think I will get any kind of safety from trying to shelter myself under these umbrellas.’ And, the closer he looks at them, the more he is afraid. These umbrellas are decidedly not healthy and, although it is strange they have appeared in the garden (here we raise an eyebrow at those crumbling pebble-like things) they are not to be eaten. Not at all.

‘I am getting very wet from this rain though,’ thinks the tiny creature to himself. ‘Where will I take shelter?’

‘Look at the big leaves where the vines are tumbling,’ says the inner voice.

‘They don’t look safe?’

‘They are very safe. Eventually they will give us beautiful big gourds called “Honeydew”.’

‘They will?’

‘Yes indeed. But, you will have to wait until they are ready. You can’t eat them now, and you can’t eat the leaves.’

‘Why can’t I,’ the tiny creature demands, and he begins to jump up and down with frustration.

‘Because, if you eat them now, what will you take cover under when it rains again?’

It sounds to the tiny creature that this inner voice is smiling at him. He begins to grin. He can’t help it. This inner voice is making him giggle and he knows it is right.

‘Fine then,’ he says, and kicks at one of the pebbles. It crumbles apart and sinks into the soil. ‘What is this stuff?’

‘Do you really want to know?’ The voice sounds even more amused.

‘Yes. Yes, I do.’ The tiny creature jumps on another pebble and it disintegrates. ‘They are funny looking pebbles, and I think I like them. What are they?’ He decides to roll in one. The smell is not that bad, but it’s not that good either.

The voice he has been listening to is really starting to laugh now. It is so overwhelming to him he starts laughing as well, and he doesn’t know why. He likes this voice, but he is not going to ask it again what these weird looking pebble things are. He wonders if it tastes better than it smells. Maybe he should try it?

‘I wouldn’t do that either,’ the voice advises. ‘It’s not really a “thing”. Not with that type of stuff anyway.’

‘Well.’ The little creature shrugs. ‘You never told me what it was, so I’m gonna do what I like in it.’

‘Oki-dokey then,’ the voice says. ‘I’ll leave you to it.’

The voice begins to fade and the tiny creature starts to wonder. The voice had not told him the stuff was bad, but it had not told him it was good either. The creature starts to think of how it is helping the soil, and how things are growing because it is there. There is only one thing that might achieve this, that he knows of, and he jumps up as quickly as he can, and starts to brush it off.

‘What is it?’ he calls to the slowly departing voice. ‘What type is it? Will it hurt me?’

‘It won’t hurt you.’ The voice slowly returns. ‘It’s really very mild. That’s why you need so much of it.’

‘Okay. So, what is it again? Just so I’m sure.’

‘Sheep shit,’ says the voice and the little creature finds this so funny, that he has kicked it, and rolled in it, and thrown it around, that he begins to laugh out loud.

‘And, what am I,’ he asks, although it is already dawning on him that he is rather important, in the scheme of things. He wouldn’t usually go after poo like this, he would normally go after something a little more ‘greasy’.

‘A dung beetle,’ says the voice. ‘You are a dung beetle. And, no you could not eat my plants.’

What is a fairy tale?

‘Doing this properly or not, are we?’

My translation is too rough for you. You can’t do this thing and I cannot help you.

The small green frog has nestled himself within the zucchini bushes and frets about what he will do next to escape the cat.

Zucchini plant in our garden.

The cat is merely a small white and black moggie who considers himself a saviour to humans. He is rather proud of himself – which is very catlike and normal for cats.

‘Do I need saving from a frog,’ thinks the human. ‘There really are not enough of them around for me to be saved from them. Perhaps you should reconsider the circumstances of el cato.’

The circumstances of el cato were deliberately falsified by other human beings. We do not return to that horrible place. He thinks this often and it has been agreed the cat’s “mother” had been right all along. He sees a large and heavy ball by a wall, coloured to resemble waves on water or electricity (which are really quite similar). It was a pond the princess had been playing beside in the original story by the brothers Grimm or was that Hans Christian Anderson? This is the purpose of the frog and the “maid” – to share these stories with new thinking and similarities that show how the blending is done.

An old float repurposed as a garden ornament. It is very heavy as it has water inside and we are not sure how the water got in there.

The frog can hear this from under the large leaves of the zucchini plant. ‘What about me,’ he burps quietly to himself. ‘Do I need saving, or can I just dig myself a hole?’

There are many questions floating around in the small garden of the family. The frog suggests the people mama do not go out to the back fence because a kangaroo child is also listening in.

They have all watched the child of the small brown kangaroo follow his mother back and forth along the hot street. Some have seen how she gets stuck when a route she used one morning is blocked the following morning and she must feed her child by a fence with no openings she can discern. Some think they should be fed, although this is not the way of the kangaroo. All she needs to find her offspring (and here the frog would grin as his mouth is wide and the perfect shape to perform such an act) is some narrow-leaved plants with lovely sweet pieces that sit just under the soil.

‘That is all I need as well,’ thinks the frog. ‘Just some plants that are damp enough I can find some insects to eat. I am very good at hunting insects.’

‘How is the translation going,’ questions the female bird. ‘Am I getting this right again?’

‘Understanding and doing is not the… damn it,’ says the frog around an insect whose legs are long and crunchy. ‘Then count me as I jump, for I would rather be a bearer of good news.’

Pleading with me will not work, for I did not put him here.

Can we see him yet, though? Is he rounded and full with new information? Can he see the light of day? Must he always be such a pain in the arse, or will the mother realise he is dreaming again?

Does she even know my Hame, thinks the kangaroo child, for he has learnt at least one language other than his own in recent years.

The mother looks up from her position at the table. ‘They are spying,’ she thinks to herself, and she is right, for they have been trying to write with her this whole time.

They do not wish to be horrible, thinks the frog, but they do not know why she thinks they are friendly.

‘I do not believe she ever thought they were friendly,’ the cat yells from the back door. ‘Oh whoops, I didn’t realise it was open,’ he thinks as the person stares down at him with vague irritation. Ducking his head to apologise for his own small thinking, he clicks and clacks his way down a dark corridor to where he knows a large and comfortable sleeping place awaits. ‘This is the only place that is friendly, and this is where I am staying. These are my people, and I am a cat.’

He thinks loudly out the window and a kangaroo child is frightened by his noisiness. 

‘Bugger off, I said.’

The little beast is dumbfounded. How did such a big thought come out of such a small cat? The cat smiles to himself. He has been training with humans, and learnt how to borrow their voices to make his own thinking louder. He leaps onto the mattress and gazes at the man who talks in his sleep.

‘This one continues to surprise me with these thoughts,’ says the wannabe demon of his large human counterpart. ‘Where is that frog again?’ He jumps off the bed.

The frog sneaks off with a plip and a plop to find himself a hole in the sand. He just wants to live another day and get some new ideas.

‘This one is too much for frogs,’ he thinks. ‘She doesn’t like me at all.’

He would be dumbfounded to know he was right.

A “recalibration” (retelling) of The Frog Prince, with dashes of Rapunzel. Spoken with Grimm determination in an Australian accent.

C.S Capewell.

The red horse did not find it amusing his sire had been named McFlirt.

‘To be the seventh son of a horse named “Of a Flirt” is not my idea of a good timing,’ said the horse.

If words could be uttered from a horse’s mouth, then they would be spoken as honestly as the humans could interpret them. There is much “tongue in cheek” here, but the chestnut has a sense of humour today, apparently.

It is quite a shame some people believe a horse is not up to telling a story, but the chestnut is accompanied by his new old friend who has been named for a Strawberry and doesn’t mind a bit. If anyone else thinks these are terrible puns, please let me know. I don’t think all of them are mine.

Anyway… The chestnut does not roll his eyes, because he leaves that to his friend, who is quite good at pulling faces. I can personally vouch for this, as I have seen it, and he is a funny old duffer indeed. They have consented to having their photographs taken by their owners, so we are in luck in knowing the pictures provided to this particular WordPress blog are genuine and legal. Isn’t that wonderful. That was a rhetorical question.

Today, we do not enter into the personal previous life of Knox the gelding, as he is busy being a horse with no name and pretending to chase bulls down unfamiliar streets with cobbled stones and skinny windows. Hey look, I’m just repeating what the horse is saying, so you really can’t correct me. If he isn’t a horse and just pretending to be the one attempting to bite his best mate’s backside, then I have many questions to ask, and I probably won’t get answers to them.

Knox (the horse) asks us to remember his mature-age friend, the dark bay who was once a strawberry roan, cannot be ridden anymore as he has a bad back, but biting him on the arse is perfectly acceptable. I would just like to say I won’t be trying this myself anytime soon, and nobody else should either. Frazier is quite a large horse, and although he is extremely patient with his younger companion, he would likely get quite a fright if tiny humans thought sinking their teeth into him would be a good idea. He can still kick if he needs to.

I think perhaps photographs of the true characters in this short piece would probably help.

To Simply be a Tree.

There is often the assumption when a child is given a part in a school play that if they are in the position of acting as a tree, it is simply to include that child in the experience of being onstage.

Think about this.

I know when I look at trees, they are not still or unmoving, unless there is no wind. They do not stay exactly the same colour, unless there is no sunlight or rain. They do not stay the same size unless they have been pulled from the ground.

One might get a particularly precocious child who may ask, ‘If I am a tree, then what kind of tree am I?’

The teacher may respond, ‘You are simply a tree.’

Simply a tree? What does this mean? How does one simply be a tree, when there are so many to choose from? But, the child, if they decide to be less argumentative than usual, may think to themselves, ‘Okay then, I am “simply a tree”.’ And they will look at a tree and see how its branches sway with a breeze, how its leaves may shiver and shake, how, depending on what type of tree it is in the child’s mind, it might lose a leaf occasionally or perhaps all at once.

The teacher, depending on how tired or not they are, may look upon this child and think to themselves, ‘This is a wonderful idea. Why have just one tree in my play, when I can have an entire grove of trees that change with the seasons, that give us the idea of light and movement, seasons and weather, simply by being trees. I can work with this. I will make this play both magical and realistic, simply by adding trees.’

Many years later, someone may come across this child or these children as adults and ask them, ‘Did you have experience in acting as a child?’ and the former child or children may answer with, ‘Yes, I was a tree in a school play once.’

It is the intelligent and thoughtful person who hears this response and may think to themselves, ‘This person played the part of a tree. I am really quite envious.’

‘How wonderful it must have been to be a tree,’ the person might respond.

Being a tree is a wonderful thing indeed. One may not use their voice as others use their voices. One may not be moving around as others move around, but one is still expressing things through movement, however small, and through language, however different.

All this from simply being a tree.